Brooklyn Dance Studios

Brooklyn Dance Studios

Me salsa dancing when I was a student.

Bronx Girl Dancing in Brooklyn Dance Studios.

Growing up,  I always finished what I started.  That is rare for a teen girl and young adult in college.  I did everything right: Graduated college with honors, got a job right out of college, started the ball rolling on getting my masters degree.  Life was working out, but something was missing.  I felt unsatisfied and lost.  I felt that there had to be more to life than just going to school and working.  I was looking for something, but not really sure what.  I found myself staying home.  Tired of the same old night and bar scene.  I just kept telling myself that there had to be more to life than this predictability.  I was seeking excitement and something completely different, but didn’t know what.

Then one day, a friend of mine told me about salsa classes she had been taking at a Brooklyn dance studio.  She said that she was having the time of her life.   She knew I had always wanted to take Argentine tango classes, but didn’t want to pay New York city prices.  She told me tango is one of the dances they teach at her Brooklyn studio.   She convinced me to go to one of Dance Fever Studios bimonthly parties.  I decided to go.  On my way there, I kept thinking,  what the hell am I doing travelling all the way from the Bronx to Brooklyn?  I wanted to turn around and go back, but I kept going.

When I arrived at Dance Fever, everyone was so friendly, warm, welcoming and could dance.  I always thought I knew how to dance salsa, bachata and Latin dances.  I’m part Puerto Rican.  I realized that I had a lot to learn.  As the night went on, I was amazed by everyone.  Then came the show case.  Francis and a student performed an Argentine tango.  At that moment, I decided “I want to do that.  I’m coming here.”

I signed up for a month of tango, thinking I’d do it for one month.  After that I’d be able say I tried it, liked it, did something different.  I’d be able to get back to my graduate studies and work, and be a little bit more satisfied with life.  The cycle ended, and I registered for another month.  I kept going, month after month.  I became addicted.  I started going two, then three and four times a week.  I took all the dances they offered: salsa, hustle, bachata, Latin, ballroom.  Dancing became a huge part of my life.  Sometimes it’s a wonderful thing when life does not work out the way you think it will or the way you have planned it.

In the four years since I started dancing my life changed drastically in great ways.  I lost over 70 pounds.  When I started dancing I was weighing over 200 pounds.  My energy level is way up.  Now, everyone calls me the Energizer Bunny.  I gained confidence that I lacked for most of my life.  I met some awesome people who have become some of my closest friends.  I have a non stop social life now.  I became a dance teacher at Dance Fever Studios. They have two studios now, and I run one of them.

Teaching at Dance Fever has been so enjoyable.  It’s a great feeling to see your students learn how to dance, enjoy themselves, see their fears and insecurities about dancing slip away. Dancing has become my greatest passion.  I can not wait to get on the dance floor.  I owe it all the my home away from home, Dance Fever Studios in Brooklyn.  I simply live, love, laugh and dance, dance, dance.  You may see some of my videos our Youtube chanel.

Salsa Dance Schools vs Salsa Clubs

 Salsa dance schools in Brooklyn. Miguel and salsera dancing at Dance Fever Studios' Party.

Salsa Social in Brooklyn

Where’s the  best place for dancing salsa and Latin music?

I have recently heard many complaints from students who have gone out to salsa clubs and didn’t have the type of experience they thought they would have.  The club was advertised as a salsa/Latin club, but played mostly pop music. There was salsa dancing, but only in a small room in the back.   No one was really dancing salsa.  They were just there to pick up.  Or, they were just standing on the floor with drinks in hand.  The club was too crowded to dance or move.  There were too many thugs or hoodlum types.  The floor was not good for dancing.  It was too sticky from spilt beer or other drinks.  Or, it was a tile floor that a woman’s heels easily get caught up in.  Not good for dancing.   In order to get a seat,  you needed to buy a drink.   What it you don’t drink and don’t like paying $3 for a bottle of water.  They advertised, dancing begins at 9, but no one was there at 9.  It didn’t get going til 12.  The list can go on, but you get the idea.  There are good clubs that have salsa and Latin dancing, with a good clean wood floor, real dancers and reasonable pricing;  but they are few and far between.

My recommendation is next time you want to go salsa dancing, go to a dance school social.  You will find friendly people who are there to dance and not drink.  The music will be what you want, with no club attitude, and at a reasonable start time.   You can usually leave your purse unattended and not worry.  Many dance schools socials also include food and drinks in the price.  A dance school will usually tell you in their ad,  or on their calendar, exactly what music they will be playing.  If it’s advertised as a salsa/Latin mix, that’s what you’ll get.  Lots of salsa, with some bachata, cha cha and merengue.  No Rihanna or Lady Gaga.  So, the winner is dance schools.

 

Dance schools in NYC

Here are some observations about dance schools in Brooklyn and the New York city area. These are things I’ve noticed, and have also been brought to my attention by my students.  I guess you can call them pet peeves.

Dance schools in NYC at our Park Slope Brooklyn dance studio.

Park Slope dance studio in Brooklyn NY.

Please stop advertising your school at one price, and then when a student comes to register,  hit them with a registration fee. If you advertise one price, that should be the price. Not, oh plus $20 for registration.  I’ve noticed many Brooklyn salsa schools doing this recently.  This is deceptive.  So, if a school does this, watch out.  They also tell you it’s a one time fee.  But, if you don’t go for a few months, then start up again, they will hit you with this registration fee again.  Guys, Be up front with the pricing.

Should you really be charging for music? These are your students. If they are asking for some salsa, bachata or tango music, have them bring a CD and burn them some songs. Do you really need to sell them it? They are new to this whole salsa, tango, or whatever dance scene it is.  They want music to practice to. Give them it, and help them out.  Squeezing every dollar out of a student is not the way to do business.

Telling students they will be great salseros or tangeras in no time flat.  This is over the phone, without even having meet the student.  No school or teacher can tell you how long it’s going to take for you to be good, or even decent.  That depends on you. Students often ask me how long does it take to get good at Argentine tango, or become a great salsa dancer.  The answer is, I don’t know. I’ve had students who after a few classes were dancing nicely, and other students, after months, still struggle with the tempo. Honesty is the best policy.

Pitting one dance style against another. I’ve actually heard a studio owner in Manhattan asking out loud, during a Milonga at her studio: “Why would anyone want to dance Argentine tango? It’s so slow and boring.” This studio primarily teaches swing, hustle and salsa. They have a Milonga once a month. So, according to her, swing, hustle and salsa are great and Argentine tango isn’t.  This is like saying Impressionist painters are better than Cubist.  They’re just different.  If you dance salsa in Rueda there’s no reason to put down LA style salsa. If you dance Argentine tango in close embrace, don’t bad mouth open embrace. Try not to have such a parochial view of things. If you want to get really good at any one dance, embracing all styles will help. The best salsa dancers usually know a few different styles. The best tango dancers usually also know ballroom and many know ballet. Being able to include different techniques and styles from one dance into another will help you become a better dancer.

This is for the salsa schools. Too much focus on salsa shines. I have students that come from other schools, and maybe they have been dancing for a year.  They know 60 shines.  Wow! But they can’t follow or lead a simple copa or check turn the right way. Unless it’s specifically a salsa shine class, try focusing more on leading, following, technique, and musicality.  This is what partner dancing is about, not splitting up and doing shines. You should have great Cuban motion and contra body before you learn 60 shines and triple turns.

Roping students into a performance class and then after a few weeks telling them they need to pay an additional price for the costume that you have marked up double. A student told me that this happened to her in a belly dance class she was taking. She was told that she couldn’t do the performance unless she bought the costume. Nothing about buying a costume was said at the beginning of the class cycle. She dropped out of the class. Again, be upfront with the pricing.

Too much Focus on steps and patterns. Better to teach how to lead and follow then how to do a pattern. Better to teach technique, craft, musicality and style then a complicate step. Once you know this, you will be able to follow any pattern. Many student tell me that the school they used to go to taught really complicated patterns, but as soon as they left the class, they forget it all. Focus more on technique and less on steps.

Advertising a class as advanced and then letting anyone join in. A student told me about an advanced Argentine tango workshop he went to where half the women there weren’t able to do a proper boleo. Some didn’t know how to do it at all. If you promote a class as advanced, it should really have only advanced students. Allowing intermediate or beginners into the class isn’t fair to the real advanced dancers. If all schools started doing some of these things, it would make things a lot better for all.

Tango lessons in Brooklyn

You just started taking Argentine tango classes and want to practice, but you’re having trouble finding the right music to practice to.  Piazolla and Puligese are great, but difficult to dance to for a beginner, and even for experienced dancers.  There are hundreds of amazing tango songs to choose from,  but when starting out with tango lessons, what you want is songs with a steady and clear tempo, and not performance type pieces.  You want songs that you won’t have trouble finding the beat.  Here is a list of great tango songs for the beginner tango dancer.  At our two Brooklyn dance schools, we find that these are the best songs for the beginner Argentine tango dancer.   They all have a very clear beat, and are also great pieces of music.

Tango lessons in Brooklyn NY at our Park Slope Dance Studio.

Tango studio in Brooklyn NY.

Argentine Tango Songs For Beginners:   Don Juan/Carlos Di Sarli,  El Once/Carlos Di Sarli,  A la Gran Muneca/Di Sarli,  La Cumparsita/Di Sarli, Milonguro Viejo/Di Sarli, Yo Tambien Era Dichoso/Francisco Canero,  Pura Parada/Canero,  El Pescante/Canero, DonJuan/Canero, Por Tener un Corazon/Rodlofo Biagi, 16 y Vovemos A Queremos/Rodolfo Biagi,  Sentimiento Gauch/Francisco Lomoto, Yo Tambien Sone/Romero, Ojos Negros Que Fascinan/Ray Salina, Yo No Se Porque Razon/Enrique Rodriquez, Cafe Dominguez/Angel D’gastino

Hustle Lessons in NYC

Hustle lessons in NYC at  Dance Fever Studios. Hustle beginner class in Brooklyn.

Hustle Class in Brooklyn NY at Dance Fever Studios

Hustle Songs by Tempo:

After teaching hustle classes for many years at our two Brooklyn dance studios, I realize one important thing for students progression is to practice to the right tempo music.  If you want to get a body movement down the right way, you need to do it to slow enough music.   Here’s a list of hustle music by tempo:  Slow, medium and fast, but not too fast to dance to.

SLOW HUSTLE SONGS:  Ain’t Nobody/Chaka Khan, Love to Love You Baby/Donna Summer, Fantasy/Earth Wind and Fire, Kiss You All Over/Exile, Rock You’re Baby/George McCrae, Miss California/Dante Thomas, Turn Your Love Around/George Benson, You’ll Never Know/Hi-Gloss, Rock The Boat/Hues Corporation, Feelin’ Single/R. Kelly, Staying Alive/The Bee Gees, Love’s Theme/Barry White

MEDIUM HUSTLE SONGS:  If I Can’t Have You/Yvonne Elliman, Good Times/Chic, Ain’t No Stopping Us Now/McFadden and Whitehead, A Fifth of Beethoven/Walter Murphy, Caribbean Queen/Billy Ocean, Native New Yorker/Odyssey, Never Knew a Love Like This Before/Stephanie Mills, More Than a Woman/Tavares, We Are Family/Sister Sledge, Second Time Around/Shalamar, Share My Love/R. Kelly, Too Hot/Kool And The Gang, Just an Illusion/Imagination

FAST HUSTLE SONGS:  Cuba/Gibson Brothers, Lost in The Music/Sister Sledge, Don’t Leave me This Way/Thelma Houston, Open Seseme/Kool And The Gang, Build it With Love/London Beat, Spank/Jimmy Horne, Waiting For Tonight/Jennifer Lopez

To see hustle lessons and classes at our two Brooklyn NY dance studios, visit our Youtube chanel.

 

Health Benefits of Dancing

There are many activities you can do to stay fit and healthy.  Dancing is one of the best.  Besides eating right, sleeping enough and not playing in traffic, staying active is critical to staying healthy.  We all know this, but many of us can’t manage to stay active.  You don’t like gyms or working out.  It’s boring.   Lifting a weight up and down isn’t exciting.  You don’t want to run around the same track again and again either.  Now how many times around was that?   You tried boxing, but don’t like getting hit in the head.  It hurts.  You even tried kick boxing.  That hurts even more.  So what can you do?  Dance.  It’s safe, it’s fun, and you don’t get head aches.

Dancing gives you a total body workout.  You are using all parts.  It’s anaerobic as well as aerobic.  It’s a mental work out, and also involves lots of flexibility.  There are few activities that have all this.

intermediate Argentine Tango class

Argentine tango intermediate class in Brooklyn.

Aerobic is endurance stuff.  Walking, jogging, etc.  You get that from dancing.  Try our Latin cardio class and you will see what I mean.  You will have a great time listing to great music and moving to it non stop.  The same is true for salsa, hustle, bachata, samba and tango.  One or two sambas, jives or Viennese waltz is guaranteed  to get your heart beat up.  I just had a group of twenty year old girls come to our Salsa Latin Hustle Social at our Park Slope dance studio.  After a few salsas and bachatas, they needed to sit down.  While we have regulars in their 40’s and 50’s who dance 3 or 4 hours straight with no problem.  Dancing builds your aerobic endurance.

Anaerobic is more like weight lifting or playing the net in tennis.  Quick, explosive movements.  Dancing has this too.  Try dipping or lifting your dance partner, and you will see what I mean.  It’s just like lifting weights.  Spins and lunges are also very anaerobic.

Flexibility is also a big part of dance.  Any Argentine tango student who is learning body dissociation, or salsa student who is learning figure eights and hip rolls knows what I mean.  I have a new student at our Midwood studio who is a martial arts teacher.  A black belt in many styles.  After two or three classes, he tells me that he is feeling muscles sore that he never knew he had.

Beginner salsa class

Salsa lessons in Brooklyn at Dance Fever Studios

Staying healthy isn’t just physical.  Your mind also needs to be fit; constantly growing and learning new things.  In dance your memory is put to the test.  You are always learning new patterns and sequences.  If not used, they will be forgotten.  Anyone who has ever choreographed a routine knows what I mean.  A 4 minute salsa routine can easily have over 100 different steps and patterns.  The more routines you do, the sharper your memory gets.  Dancing gets both the mind and body fit; while also having fun, meeting new people and making new friends.

 

Salsa classes in Brooklyn

Best salsa songs to learn to by tempo

You’re a new salsa student and you’re having trouble finding songs to practice and learn to.  You check on Youtube and

Dance Fever Students dancing salsa in NYC club.  Dance Fever is a top salsa studio.

Latin couple dancing salsa in NYC club.

Google for songs but are having trouble.  You want not just good salsa songs, but ones that are good to dance to.   Aquanile is great, but not so much for beginner salsa dancer.   La India has some nice songs, but not the best for dancing.  There are many great songs, but you want ones without long intros and a bunch of breaks.   You also want the songs broken down by tempo.  Slow for practicing the stuff you just learned.  Maybe medium tempo for the stuff you almost have, and faster for the stuff you have mastered.  So, here’s the list you’re looking for.  Broken down by very slow, slow, medium and fast.

VERY SLOW:  Melao de Cana/Celia Cruz,  Porque Yo/La33,  I like it Like That/Pete Rodriquez,  Mi Media Mitad/Rey Ruiz,  Mi Son Cubano/Roberto Torres,  Que Lindo El Punto Cubano/Roberto Torres,  En El Barrio/Son Boricua,  Catalina La O/Pete Rodriguez,  Estan Quemando la Cana/Yuri Buenaventura

SLOW:  Te Falta Ritmo/Calambuco,  No Me Acostumbro/Rey Ruiz,  Perdoname/Gilberto Santarosa,  Esa Mujer/Tony Vega,  Siempre Sere/Tito Rojas,  Eres/Santiago Cerron,  Sobredosis/Los Titanes,   La Lave/Latin Vibe,  Y Volver/Latin Fusion,  Amigo Mio/El Gran Combo,  La Magia de Tu Besos/Grupo Niche,  Maria Teresa y Danilo/Hansel y Raul,  Entregate/Maelo Ruiz

MEDIUM:  Otra Oportunidad/Jimmy Bosch,  Yamulemao/Joe Arroyo,  Tu Amigos O Tu Amante/Sabrosura,  Buscandote/The Latin Brothers,  Caballo Viejo/Roberto Torres,  Micaela/Sonora Carruseles,  Juliana/Cuco Valoy,  Mata Que Dios/Cuco Valoy,  Casi Te Envidio/Andy Montanez,  Antidoto y Veneno/Eddie Santiago,  La Cura/Frankie Ruiz,  Llego El Amor/Gilberto Santa Rosa,  Que Paso/Hansel y Raul,  Cali Pachanquero/Gupo Niche

FAST:  Me Libere/El Gran Combo,  Sabor a Melao/Tabaco y Ron,  Ven a Medellin/Grupo Galla,  Vamonos Pal Monte/Son Boricua,  Lady/Orquesta La Palabra,  Baracuaniguara/Africando,  Dejate Querer/Jose Alberto,  Mi Negra Su Calentura/Grupo Niche,  Tiene Sabor/Henry Fiol

 

 

 

Secrets to Dancing Argentine Tango

 tango lessons in Brooklyn at Dance Fever Studios.  An authentic Argentine tango studio.

Tango class in Brooklyn at Dance Fever Studios.

There are really only three major types of steps in Argentine tango.   Walking, giros(pivots) and ganchos(hooks).   Almost every complicated pattern or amazing sequence you see, is composed of these three types of steps.  95% of your time dancing tango, you will be doing these types of steps.  Most of the time you will be walking, some times pivoting, and less time hooking.   Practice these three things, alone, by yourself, and you will be good.

Since most of your time is spent walking, this is what you should practice first.  Again, practice without a partner.  If you can’t walk a straight line forward and backwards, to different tempos, in total control of your balance,  by your self; don’t expect to do it with a partner.  Start with walking every two beats.  Step on the 1 and the 3.  These are called the strong beats.  Walking slowly is much harder than fast.  Practice this too.  Step every 4th beat of the music.  So, now you’re stepping on the 1st beat with the right, then the 1st beat with the left.  Don’t use the free leg to help you balance.  Keep your movement going over the entire 4 beats.  Walk like a cat creeping up on a bird.  There are some tango schools and teachers in Argentina that will only teach walking for the entire first year of lesson.  Once you can walk the right way alone,  you have a chance of doing it the right way with a partner.  Now,  that’s assuming that your partner also did the same practice.  If not, she or he will be using you as a balance beam.

To see more videos go to our Youtube chanel.

Pivots.  Once you have the walk, move on to pivots.  If not, don’t start learning pivots.  Just like walking, you need to be able to pivot by yourself, or you won’t be able to do it with a partner.  Do not practice against a wall.  This only gets you in the bad habit of relying on the wall for balance.  Start with 1/4 pivots.  Face one wall with your entire body.  Now,  turn only the upper part of your body, your torso, so that it faces the next wall.  You will feel a pull.  Your lower part wants to follow your upper part.   Allow it to by pivoting on one foot.  Now your body is aligned again, facing the next wall.  Repeat this.  These are 1/4 pivots.  Go both ways.  When you can do this well, move onto 1/2 pivots, then full 360 pivots.  When you have these, do it backwards.  Being able to do this is the basis for forward and backward ochos.

Ganchos,  like walking and pivoting, you must practice on your own.  Practice ganchos backwards, sideways and backwards over your own leg.  Make sure you point your toe and maintain your balance. Do all this, and dancing with a partner will be a lot easier and more fun.

 

Difference between salsa on1 and on2

 Salsa studios Brooklyn. Dance Fever Studios salsa class.  The premier salsa dance studio in  Brooklyn.

Salsa lessons in Brooklyn at Dance Fever Studios.

I have heard so many bad explanations of this from salsa dancers and also,  even teachers,  that I need to write this.  The only difference between salsa on1 and on2 is the beat you are breaking on.  On1 you break forward on the 1st beat in the measure of the music.  On2 you are breaking on the 2nd beat in the music.  This is the difference.  There aren’t any different steps, or better steps in on1 or on2.  You can do all the same steps.  There aren’t any different shine in on1 or on2.  You can do all the same shines.   One isn’t better or worse than the other.  There are just as many great on1 dancers as on2.

On1,  the first two beats are quick quick.  You pause or hold the 3rd and 4th beat.  On2,  the 2nd and 3rd beats are the quick quick.  You pause on the 4 and 5.  That’s the slow.   So in on1, the first part of your basic is within the measure of music.  On2, you split the measure of music in your basic.  The pause is between two measures.

Now, on2 has two ways of starting.  You can just break straight  forward with the leader’s left on the 2nd beat, or the leader breaks back with his left foot, then breaks back again with his right foot on the 2nd beat.  The first way the leader is breaking forward on the 2 and back on the 6.  The second way, the leader is breaking forward on the 6 and back on the 2.

If you really want to be good, learn how to do both on1 and on2.   This will really develop your timing and musicality.   Once you learn both, you will understand what I am talking about.  Take a look at the attached Youtube link to see on1 and on2 basics demonstrated.  You can see more video on our Youtube chanel.

Improving your salsa dancing

Salsa dance studios Brooklyn.  Dance Fever Studios is a top Brooklyn salsa studio.

Salsa class in Brooklyn at Dance Fever Studios.

Improving your salsa dancing

Here are some tips to help both leaders and followers become good salsa dancers.  1)THE MUSIC is number one when you dance.  Listen to it.  It has two parts: rhythm and melody.  First, concentrate on the rhythm or beat.  You must dance to this beat, or there is no way you will become a good dancer.  You actually want to feel as though you are dancing behind the beat.  Even fast salsa music, when you get really good, is not that fast;  so don’t rush.  Stay with the tempo.   The majority of beginner salsa dancers tend to rush the tempo.  They are ahead of the beat.  A good way to slow yourself down is to practice salsa basics to cha cha music.   Just leave out the cha cha.  This will definitely slow you down.   If you are dancing to one tempo,  and your partner’s on a different tempo,  there is no way you will have a good time.  This is the single most important thing.  The melody or the tune is the second part of the music.  This is a lot harder to dance to, and will only come with lots of experience and knowing the music.  Eventually, you want to dance to both.

2)BODY MECHANICS: Each type of dance has a specific way of moving.  If you don’t move that specific way, you won’t look good dancing to that music.  You can’t dance salsa and look like a tango dancer or ballet dancer.  It doesn’t look right.  You need to have that salsa look and feel.   There are a lot of elements that make a salsa dancer look like a salsa dancer.  Two of the most important are Cuban motion and the figure eight.  You can see these two things explained and demonstrated on our Youtube chanel.   You need to have both motions wired to look and dance salsa well.  Do not spend another second learning a new “advanced step” before you have these motions down pat. Salsa dancing isn’t salsa dancing without these two motions.

3)Stay in your DANCE CIRCLE.  If you stand on one leg and allow the free leg to naturally hang down so that it just touches the floor, then make a circle with that free leg around your body without any stretch, this is your dance circle.  Stay in it when you dance.  This will make sure that your steps are the right size.  Large steps are a not good. You should be dancing with your body and not your legs.  The body moves the legs and not the other way around.   Smaller steps will also help your balance.

4)DON’T GRAB.  You want to be connected to each other with a very light touch.   The leader is not there to be your balance beam.  You don’t want to grab  on to him on every other step.  If you have trouble with your balance don’t wear 6 inch heels.  Wear flats until you are able to dance in heels.  And for the leaders.  You aren’t doing judo.  A good leader doesn’t need to throw the woman around.  You should be able to led a good follower in almost every step with one finger.  When you are leading and following the right way, it will take almost no effort.  The wrong way, and it feels like a wrestling match.

5)DANCE at each others ABILITY.   A great leader when dancing with a beginner, will only do steps she can do.  Taking her into steps that are beyond her ability is bad leading.  If you haven’t danced with a woman before, build the dance.  Start with easy stuff, and get more and more advanced.  Don’t do a cross body lead with a turn before you have led her in a simple cross body.  This is building the dance.  If you’re an advanced follower, and you agree to dance with some beginner guy, don’t expect him to be Johnny Mambo.

6)ADVANCED DANCERS:  Dance with people who are better than you.  This is true for any field.  Want to raise your chess game or boxing skills, you’re not going to do it with people at a kindergarten level.  This is sometime hard to so since advanced dancers usually have no interest in dancing with beginners.  So the best way to do this is by taking privates.  With one on one instruction, you can work on all your problem areas at your own pace and get out of any bad habits and be prevented from developing any new ones.

7)PERFECT PRACTICE.  Practice makes perfect is one of the most untrue phrases I have ever heard.  Practice all day long the wrong way, and you will do it the wrong way.  Go to the golf range and see all the golfers practicing their bad swings and never getting any better.  They are just enforcing that bad swing.  This is a problem with many dancers.  They get in bad habits and dance with other dancers who have the same bad habits.  Grabbing, steps too large, rushing the timing, poor body mechanics is no way to dance.  When you learn something, make sure you learn it exactly the right way,  and practice it exactly the right way.  If you don’t, you are only enforcing bad habits.   Remember, only perfect practice make perfect.