NYC Salsa Must Know Patterns.

NYC Salsa must know patterns. If you are dancing NYC style salsa there are tons of patterns you will see as a follower.  No one can list all of them, since every leader has his own, but here are some patterns that you really must know if you’d like to dance at the intermediate or advanced level with a NYC salsa leader.   These are patterns that almost ever leader knows and will expect you to follow.  You will see these patterns, and variations of them, almost %100 of your time dancing with any NYC salsa leader.  All these patterns have tons of variations,  but if you know the basic of each pattern, all the variations will be easy.

NYC Salsa Lessons at Dance Fever Studios

NYC Style Salsa classes in Brooklyn at Dance Fever Studios.

1) Cross Body Lead with an inside turn and a half.  This is the intermediate version.  The advanced version is two and a half turns.  When you do this make sure that you stay on your track.

2)Copa and Copa with a turn and a half.  The turn and a half is the same turn as the cross body lead.

3)Pencil Turn or Check Turn.

4)Half Moon with a turn and a half to basic.  Some salsa dancers call this The Titanic.

5)Reverse Cross Body Lead.

6)Reverse Cross Body Lead with two turns for the intermediate follower, and three turns for the advanced follower.

7)Double Turn in place.

8) Simultaneous Back Spot Turns in place.

9)Leaders Half Chase to Hand Drop.

10)Hand Drapes.

Salsa Dancing and The Three Types of Followers

Salsa dancing Brooklyn.

Dance classes in Brooklyn. Ray and Stephanie salsa dancing.

Salsa followers can be broken down into three types: 1)passive 2)active and 3)mischievous.

A passive salsa follower does what the leader wants.  Only that, and nothing else.  Take her into a cross body lead and she will follow, but with no styling at all.  She follows all your salsa steps, but doesn’t add anything additional to the dance.  Most beginner salsa dancers are passive followers.

An active salsa follower will add some flair.  She will comb and whip her hair, do arm and hand styling, and shoulder shimmies.  She is taking an active part in the salsa dancing.  She is following just like the passive follower, but is adding her own flair.  When you see a salsa dance class labeled as a women’s styling class, they are trying to turn passive followers into active followers.

A mischievous follower knows the step that you are leading her into, can do it if she wants to, but chooses not to.  She does something else that works, but not exactly what you wanted.  For example, if you lead a peek-a-boo step, instead of stopping when you want her to, she’d duck under and turn out.  If you lead a copa with a turn and a half, she might keep spinning more than you expected.  If she knows there is a break in the music, she will hit it even if you weren’t going to.  In order to be a mischievous follower, you have to be very good at following and know the music very well.

When salsa dancing, a leader should be accommodating to all  three types of salsa followers.  If a woman has just started salsa dancing, she will most likely be a passive  follower.  If she has taken some salsa dance lessons for a few months she may have developed into an active follower. You find active followers at most salsa dance schools socials.  If she has put her time in, practiced, taken lots of private salsa lessons, gone salsa dancing all over and really gotten good, she may be a mischievous follower.

 

Dance Teacher Training Programs.

Dance Teacher training programs.

Group salsa class in Park Slope Brooklyn

You want to become a dance teacher.  You see lots of different dance teacher training  programs, but aren’t sure how to choose a good one.  Here are some tips.  If you want to work consistently and make a living as a full-time dance teacher,  the more dances you know, the better.   If all you know is salsa on2 or Argentine tango it will be difficult to keep yourself employed.   Owning two Brooklyn dance studios,  I get resumes and calls everyday from professional salsa dancers, professional Argentine tango dancers, belly dancers,  international Latin and ballroom dancers looking for work.   The first thing I ask them is,  do they know any other dances or styles?  If the answer is no,  I will have a hard time employing them.

Dance schools want dancers who are well-rounded. It’s great to be an expert in one dance, but know some others.  I just got a resumes from a dancer who’s  been dancing for 15 years and all she knows is salsa on2.  In 15 years she couldn’t pick up some other dances?

Here’s a typical day for me and any of my dance teachers.  Yesterday at 9am I taught a private at our Flatbush dance school.  The student is doing hustle, salsa on1, and bachata.  At 10 I taught an Argentine tango private.  At 3 I went to our Park Slope studio and taught a private bachata lesson.  This student also wants to learn cumbia.  At 7 I teach a couple who is doing social ballroom.  At 8 we have a two-hour intermediate salsa class.  Where would I be if I only knew how to dance one dance or style?  A dance student frequently starts leaning one dance,  then become interested in a different dance.  If all you know is that one dance, you will lose them as a student when they want to move on to a different dance.

Also, a school would rather have one teacher doing two hours than two separate teachers each doing an hour each.  It’s just easier.  So, make sure the teacher training program is making you into a  well-rounded dancer.  This way no matter what a student wants to learn, you will be the go to dance teacher for that studio.

Is there any kind of placement program?   It’s great that they are training you in salsa on1, salsa on2, Argentine tango, Latin and ballroom, hustle and wedding choreography;  making you into a well-rounded dancer.  But what happens when you’re done with your training?  Do they have work for you?  Consider this.  The dance training program that has work for you is the one you should choose.

Do they teach you how to teach or just how to dance?  Many great dancers don’t know how to teach.  The teachers who last and make a good living, are the ones who know how to teach and not just dance.  You will be getting lots of different types of students.  You don’t want to teach each one the same.  Some are very serious about dance and dancing well.  Most  are not interested in become professional dancers, and are just doing if for fun.  Teach the right way and you will keep your student and get more.

Do they teach you about the business end?  What good is it if you know all the dances and how to teach,  but can’t get any business.  Even if you’re not interested in opening up your own dance studio, knowing sales and how to get students is important.  I see some of the best dancers starving for work.  Not having any idea how to generate business and keep themselves employed.

Consider all these things when choosing a dancer teacher training program.

Private Dance Lessons vs. Group Dance Lessons

Private dance lessons Brooklyn

Kristina and Michael during private salsa lesson in Brooklyn.

Private lessons are the quickest and  most effective way to learn the art and skill of dancing.  Many people will tell you that one private is the equivalent of 4 group classes. That’s partly true, but just partly.  There is  really no equation that matches private dance lessons to group classes.  When you take a private lesson from a good dance instructor, you are learning something the correct way right off the bat.  With group classes, you learn the same thing, but with 20 dance students in the class, how can the teacher make sure that you are dancing the correct way?  He can’t.  Being slightly off, is off.  It’s like saying  you’re almost on timing. You’re either on or off.  The same thing with technique.

In a group dance class, you mainly practice with other people at your level.  Maybe the teacher will dance with you for a few minutes, but for the most part, you are dancing with someone at your level.  That’s not a good thing if you want to get better.  The way to improve at anything is to do it with someone who is better than you.  Speaking French with a beginner won’t help much.  Put you in a room with a native speaker for a month and you will be speaking French.

Many people think, I can’t afford to take private dance lessons.  If you can afford to take group classes, you can afford to take privates.  Here’s why.  You will learn more in a private than in a group class for the same amount of money.  You won’t just learn more, and here’s the important part, you will learn right. Because of the tactile nature of partner dancing, certain techniques can not be learned properly in a group setting.  You need to be with someone who knows how to do it the correct way.  Feel how their body moves.   This is next to impossible in a group setting.   You also need to have this proper technique drilled into your muscle memory.  Once bad technique is in your muscle memory, it will be very hard to lose. Group classes are good for practicing what you learn in your privates.

In my two Brooklyn dance studios, I have seen many students who have spent lots of money over the years taking group lessons: salsa, tango, Latin, ballroom and more.  The things they were doing only partly right a year ago, many are still doing only partly right today.   Bad habits are hard to break.  Even harder if you are dancing with someone who also has the same bad habits.   I have many students who started with privates, learned things the 100% correct way, and have actually spent less money to get to the level they are at than the student who is taking the group class.